With sound art inserts from Nathan Harmer's Ext-1 (Blockbuster 2012 intervention), a section of Claire Ryohko Kohda Hazelton & Dean Wood's Claire & Dean play Tony & Dominic track (Margate 2011 intervention), Julian Jacobson's Prelude (no man's land 2012) and conclude with excerpts from GYBE 2012 album Allelujah! Don't Bend! Ascend! on owning sonic space, directly inspired by the Montreal demonstrations in 2012.
The essay, Art-led regeneration in Margate: learning from Moonbow Jakes Café and Lido Nightclub intervention by Professor Loretta Lees and John Mckiernan will be published in Art and the Public Sphere: Public Art and Accountability, March 2014